Unmarked6698
- Flag inappropriate
- Show review history
"No, my sister," said the three brothers, "you shall not die; we will go and find out this monster, and we will either kill him or die beneath his blows." "Do not hope to kill him," said their father to them; "for the Beast is so powerful, that I fear there are no means by which he could be destroyed. My Beauty's loving[117] heart fills mine with gladness, but she shall not be exposed to such a terrible death. I am old, I have but a little while to live; I shall but lose a few years of life, which I regret on your account, and on yours alone, my children." 'My father's fortune was unsuitable to his rank. That his son might hereafter be enabled to support the dignity of his family, it was necessary for me to assume the veil. Alas! that heart was unfit to be offered at an heavenly shrine, which was already devoted to an earthly object. My affections had long been engaged by the younger son of a neighbouring nobleman, whose character and accomplishments attracted my early love, and confirmed my latest esteem. Our families were intimate, and our youthful intercourse occasioned an attachment which strengthened and expanded with our years. He solicited me of my father, but there appeared an insuperable barrier to our union. The family of my lover laboured under a circumstance of similar distress with that of my own—it was noble—but poor! My father, who was ignorant of the strength of my affection, and who considered a marriage formed in poverty as destructive to happiness, prohibited his suit. "Well, if you will be a good girl, I will undertake that you shall go." She took her into her room, and said to her, "Go into the garden and bring me a pumpkin." Cinderella went at once, gathered the finest she could find, and brought it to her godmother, wondering the while how a pumpkin could enable her to go to the ball. Her godmother scooped it out, and, having left nothing but the rind, struck it with her wand, and the pumpkin was immediately changed into a beautiful coach, gilt all over. She then went and looked into the mouse-trap, where she found six mice, all alive. She told Cinderella to lift the door of the mouse-trap a little, and to each mouse, as it ran out, she gave a tap with her wand, and the mouse was immediately changed into a fine horse, so that at last there stood ready a handsome train of six horses, of a beautiful dappled mouse-grey colour. As she was in some difficulty as to what she could take to turn into a coachman, Cinderella said, "I will go and see if there is not a rat in the rat-trap; we will make a coachman of him.".
453 people found this
review helpful
Conrad
Weather without, Towards the close of day Madame de Menon arrived at a small village situated among the mountains, where she purposed to pass the night. The evening was remarkably fine, and the romantic beauty of the surrounding scenery invited her to walk. She followed the windings of a stream, which was lost at some distance amongst luxuriant groves of chesnut. The rich colouring of evening glowed through the dark foliage, which spreading a pensive gloom around, offered a scene congenial to the present temper of her mind, and she entered the shades. Her thoughts, affected by the surrounding objects, gradually sunk into a pleasing and complacent melancholy, and she was insensibly led on. She still followed the course of the stream to where the deep shades retired, and the scene again opening to day, yielded to her a view so various and sublime, that she paused in thrilling and delightful wonder. A group of wild and grotesque rocks rose in a semicircular form, and their fantastic shapes exhibited Nature in her most sublime and striking attitudes. Here her vast magnificence elevated the mind of the beholder to enthusiasm. Fancy caught the thrilling sensation, and at her touch the towering steeps became shaded with unreal glooms; the caves more darkly frowned—the projecting cliffs assumed a more terrific aspect, and the wild overhanging shrubs waved to the gale in deeper murmurs. The scene inspired madame with reverential awe, and her thoughts involuntarily rose, 'from Nature up to Nature's God.' The last dying gleams of day tinted the rocks and shone upon the waters, which retired through a rugged channel and were lost afar among the receding cliffs. While she listened to their distant murmur, a voice of liquid and melodious sweetness arose from among the rocks; it sung an air, whose melancholy expression awakened all her attention, and captivated her heart. The tones swelled and died faintly away among the clear, yet languishing echoes which the rocks repeated with an effect like that of enchantment. Madame looked around in search of the sweet warbler, and observed at some distance a peasant girl seated on a small projection of the rock, overshadowed by drooping sycamores. She moved slowly towards the spot, which she had almost reached, when the sound of her steps startled and silenced the syren, who, on perceiving a stranger, arose in an attitude to depart. The voice of madame arrested her, and she approached. Language cannot paint the sensation of madame, when in the disguise of a peasant girl, she distinguished the features of Julia, whose eyes lighted up with sudden recollection, and who sunk into her arms overcome with joy. When their first emotions were subsided, and Julia had received answers to her enquiries concerning Ferdinand and Emilia, she led madame to the place of her concealment. This was a solitary cottage, in a close valley surrounded by mountains, whose cliffs appeared wholly inaccessible to mortal foot. The deep solitude of the scene dissipated at once madame's wonder that Julia had so long remained undiscovered, and excited surprize how she had been able to explore a spot thus deeply sequestered; but madame observed with extreme concern, that the countenance of Julia no longer wore the smile of health and gaiety. Her fine features had received the impressions not only of melancholy, but of grief. Madame sighed as she gazed, and read too plainly the cause of the change. Julia understood that sigh, and answered it with her tears. She pressed the hand of madame in mournful silence to her lips, and her cheeks were suffused with a crimson glow. At length, recovering herself, 'I have much, my dear madam, to tell,' said she, 'and much to explain, 'ere you will admit me again to that esteem of which I was once so justly proud. I had no resource from misery, but in flight; and of that I could not make you a confidant, without meanly involving you in its disgrace.'—'Say no more, my love, on the subject,' replied madame; 'with respect to myself, I admired your conduct, and felt severely for your situation. Rather let me hear by what means you effected your escape, and what has since be fallen you.'—Julia paused a moment, as if to stifle her rising emotion, and then commenced her narrative. At first glance there seemed nothing amiss. To Bob’s untrained eye, the shadows that lay heavily in the dark of the night were only scrub pine and underbrush. But as he looked these shadows took form and substance. They were men, sitting or lying relaxed, in attitudes of waiting. A faint nicker and trampling of hoofs told that horses were hobbled in the vicinity. “Do you ask why? Because it means work and responsibility. For what is all this that you see, house and garden, park and farm, but a loan to be accounted for? It is only a loan. That is why it brings to Johnny Blossom work and responsibility. He must remember that Uncle Isaac did not give him all this to use simply for his own benefit and pleasure—far from it—but for the good of others. He must remember that riches bring duties. He must remember that God will some time say to him, ‘Johnny Blossom, how have you dealt with what you received as a loan upon the earth?’”.
298 people found this
review helpful